Dancing through Sicily:
first video shoot with the
Canon EOS R6

Balerina šoka apleistos šventyklos viduje Palermo mieste, Sicilijoje.

Kinematografas Javier Cortés iš Ispanijos tapo vienu iš pirmųjų profesionalų, išbandžiusių filmavimą su „Canon EOS R6“, filmuojant du baleto šokėjus jų kelionėje per Siciliją, kurią jie pradėjo Segestos šventykloje. „Man tai kur kas daugiau nei tiesiog nuotraukos – visada bandau papasakoti ir už jų slypinčią istoriją,“ - sako jis. Nufotografuota naudojant „Canon EOS R6“ su „Canon RF“ 24-70mm F2.8L IS USM objektyvu, nustatymai - 24mm, 1/5000 s, f/2.8 ir ISO400. © Javier Cortés

Weaving through the columns of an ancient temple, a ballerina is caught in the light of the breaking dawn, her flowing dress highlighted against the shadows thrown by the crumbling colonnade. The scene marks the start of a voyage through north-western Sicily, captured by Spanish cinematographer and Canon Ambassador Javier Cortés on the full-frame mirrorless Canon EOS R6.

"Filmmaking has the power to take you on a journey," says Javier, who shoots video and stills for high-end fashion brands and editorial publications, including Vogue and Harper's Bazaar. "My goal was to capture the fluidity of the dancers' bodies, the sensation of strength."

With extra-wide dynamic range thanks to Canon Log, up to 8-stops of Image Stabilization,1 4K video at up to 60p, and support for 10-bit YCbCr 4:2:2 internal recording, the Canon EOS R6, the latest addition to Canon's EOS R System family of cameras, is a formidable filming tool. From temple to theatre, pavement to palazzo, Javier put it through its paces, capturing cinematic footage from a full- frame mirrorless workhorse.

Faultless AF tracking and 8-stops of IS*

Javier's narrative began at the ancient Temple of Segesta near Palermo, the capital of Sicily. "I've always been interested in movement and how bodies look in front of the camera," he says. "I used slow motion at 50p to capture the dancer, her dress and how her skin looked in the morning light. I wanted to show how she tells a story with her body."

The Canon EOS R6's intelligent AF system enabled Javier to lock onto the ballerina's face and keep it in sharp focus while moving around her. "I wanted to shoot wide open shots that finish on her arms or face," he says. "She was pirouetting and jumping but the camera stayed focused. I couldn't believe it – I thought I'd lose the focus on her eyes."

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Atvirų durų šviesoje šoka balerina. Likusi kambario dalis yra paskendusi šešėlyje.

„AF sekimas atrodo itin įspūdingai fotografuojant, tačiau filmuojant jis yra neįtikėtinas – negalėjau tuo patikėti“. Nufotografuota naudojant „Canon EOS R6“ su „Canon RF“ 50mm F1.2L USM objektyvu, nustatymai - 1/750 s, f/2 ir ISO200. © Javier Cortés

Į fotoaparatą pažvelgiančios ir akis į šalį nusukančios moters veidas iš arti.

„Šis fotoaparatas suteikia daug lankstumo. Pasukamas kampas leidžia fotografuojant lengvai pakeisti fotografijos kampą“. Nufotografuota naudojant „Canon EOS R6“ su „Canon RF“ 50mm F1.2L USM objektyvu, nustatymai - 1/500 s, f/1.4 ir ISO100. © Javier Cortés

In his commercial work Javier often operates with large crews but he relished the opportunity to return to his single-shooting roots. "I've got used to having big teams, but here I came back to working just with the camera," he says.

The Canon EOS R6's innovative in-body Image Stabilization (IS) – offering up to 8-stops of IS1 – meant that Javier could shoot handheld and capture perfectly smooth video footage.

He tested the IS by shooting with two cameras, one in each hand, each fitted with a stabilised lens but one with IS on and one with the IS off. "I was moving around with the cameras on my arms and it was amazing," he says. "The stabilisation is very effective."

Balerina šoka mėnulio apšviestame paplūdimyje, tolumoje už jos šviečia miesto pastatai.

Šokis ant Mondello paplūdimio smėlio. „Mėnulis turėtų sukurti didelius kontrastus, tačiau galime įžiūrėti detales tiek šešėliuose, tiek rūbuose, be to, man pavyko pagauti judesį. Nesu įpratęs matyti tokios kokybės nuotraukas [fotografuojant] naktį,“ sako Javier. Nufotografuota naudojant „Canon EOS R6“ su „Canon RF“ 50mm F1.2L USM objektyvu, nustatymai - 1/40 s, f/1.4 ir ISO32000. © Javier Cortés

"At sunrise you don't have much light or contrast, so I started shooting with higher ISOs," Javier says. "I was really impressed with the camera's performance in low light – the colour rendition was amazing. Colour is important to me. I decide which camera and lenses I am going to use based on how they develop colour. When I was shooting at the temple, I imagined the colour of the sunrise, and everything I imagined, I got."

The other locations provided further lighting challenges, from a darkened theatre to a beach illuminated only by moonlight. Inspired by moonlit portraits he'd previously taken in the Sahara Desert, Javier hoped to translate his creative concept to video, shooting a ballerina dancing along the water's edge at Mondello Beach.

Baleto šokėjas Lee Jay Hoy pozuoja priešais klasikinio stiliaus pastatą Palermo mieste, Sicilijoje.

Dancing into the light: first stills shoot with the EOS R6

Canon Ambassador and fashion photographer Wanda Martin on the first-ever shoot with the full-frame mirrorless Canon EOS R6.

"I didn't have the supermoon I wanted, but I had three quarters of the moon and the lights of the city. I was using high ISOs – ISO64000 and ISO32000 – and it worked well, giving impressive colour and high dynamic range.”

Baleto šokėjas, įrėmintas kito kambario tarpduryje.

Javier mėgavosi galimybe sugrįžti prie savo fotografijos ištakų. „Esu įpratęs dirbti komandoje su kino kameromis, tačiau visada mėgaujuosi dirbdamas vienas – šis fotoaparatas leidžia pasitelkti visą savo kūrybiškumą ir improvizuoti“. Nufotografuota naudojant „Canon EOS R6“ su „Canon RF“ 24-70mm F2.8L IS USM objektyvu, nustatymai - 24 mm, 1/350 s, f/2.8 ir ISO800. © Javier Cortés

Flexible, creative hybrid shooting

Originally a stills-only fashion photographer, Javier has become known for working across stills and video and is regularly tasked with delivering both on editorial and commercial jobs. Having a flexible hybrid camera that can switch between the two at the touch of a button was particularly welcome. "On every shoot I have my photo camera and my cinema camera, but in this case I could continue shooting with the same camera," he says. "It's really magical."

The Canon EOS R6's high-resolution Vari-Angle touchscreen allowed him to capture the action from all angles. "I am always on the floor shooting or leaning on walls," explains Javier. "With this camera, without needing a big ladder, I can put the camera above my head, tilt the screen and see the image."

Balerina šoka prašmatniame kambaryje.

Javier liko ypač sužavėtas fotoaparato dinamine sritimi bei apšviestų vietų ir šešėlių spalvų kokybe. Nufotografuota naudojant „Canon EOS R6“ su „Canon RF“ 85 mm F1.2L USM objektyvu, nustatymai - 1/500 s, f/1.8 ir ISO1600. © Javier Cortés

Balerina pozuoja nuo atvirų durų krintančioje šviesoje. Likusi kambario dalis yra paskendusi šešėlyje.

„EOS R6“ itin efektyviai veikia silpnoje šviesioje, ypač tada, kai ji yra papildoma greitos diafragmos RF objektyvu. Nufotografuota naudojant „Canon EOS R6“ su „Canon RF“ 50 mm F1.2L USM objektyvu, nustatymai - 1/500 s, f/2 ir ISO200. © Javier Cortés

Javier primarily shot in 4K 50p, his preferred frame rate for fashion. "At first I shot at 25p because I was worried about the speed and the available light, but after seeing there wasn't much grain, I started shooting in slo-mo," he says. "When I had movement and the dancers' clothes were flying, I wanted to capture it in slo-mo so I could work with that in the edit."

Shooting in Canon Log is a must for Javier, who was particularly impressed with the Canon EOS R6's expansive dynamic range. "The Canon Log is really good – you have a lot of information and colour in the highlights and the shadows," he says. "The style of video is closer to the EOS C300 cinema series than a stills camera that shoots video. This Canon Log feels similar to the Canon EOS C300 Mark II."

Kinematografas Javier Cortés Palermo mieste Sicilijoje filmuoja du ant „Massimo“ teatro scenos šokančius baleto šokėjus.

Finalinės scenos buvo nufilmuotos Palermo „Teatro Massimo“, didžiausiuose Italijos operos rūmuose. „Kiekviena vieta mane įkvepia, o Palermo mieste jaučiausi tarsi vaikas, kiekvieną kartą bandantis pagauti idealų kadrą,“ sako Javier.

For the final scene of Javier's film, he shot under the iconic lights of Palermo's Teatro Massimo, Italy's largest opera house. It was the backdrop for the final scene in The Godfather: Part III and it was a place where Javier had long wanted to film. "This is the climax of the video – the place where the two dancers meet," he says. "I wanted to show how they move, how they feel and the contrast of the space.

"One of my main aims on any production – personal projects or fashion films – is to shoot with freedom and try something different, something I'm not used to. Palermo was beautiful – the locations and the light. It was an amazing journey and I think you feel that in the video."

Autorius Lucy Fulford

Javier Cortés's kitbag

The key kit pros use to take their photographs

Ant plytelėmis išklotų grindų padėtos dvi „Canon EOS R6“ kameros ir „Canon“ objektyvai.


Canon EOS R6

Canon's full-frame mirrorless camera is the ultimate hybrid for video as well as stills, with intelligent Dual Pixel CMOS AF, support for a range of video formats including 4K 60p, in-body IS and outstanding low-light performance. "This camera gives you a lot of creativity and you can improvise a lot," says Javier.


Canon RF 50mm F1.2L USM

A lens that sets new standards in photographic performance, delivering supreme sharpness, extra creative control and a low-light performance that's simply remarkable.

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    1. 8-stops based on the CIPA standard with RF 24-105mm F4 L IS USM at a focal length of 105mm